Abstract

This study explores the development process from tapestry art to fibre art and establishes a theoretical framework for future research on the incorporation of fibre materials into interior design and architectural design by female artists. The world of fibre art is a captivating blend of traditional techniques and modern creativity, showcasing a wide range of textiles, wall art, and contemporary forms. This paper explores the works of female artists showcased in two well-known exhibitions: the 'Lausanne International Tapestry Biennale' and the 'From Lausanne to Beijing' International Fibre Art Biennale. This paper seeks to shed light on the distinct perspectives and artistic expressions of women in the field by examining the fibre materials used by these artists and the conceptual depth of their creations. Women artists have historically encountered obstacles in achieving recognition and establishing their position in the art industry. Nevertheless, their artistic contributions have significantly influenced the discourse on art and gender. The selected exhibitions offer a chronological framework for studying the development of women's fibre art. This article offers insights into the various ways in which female artists utilise fibre as a medium of expression by examining their techniques, themes, and narratives. In the end, this examination will enhance our comprehension of the significance of women in the growth and progression of fibre art. It will also serve as a source of inspiration for future research, as well as recognition of their valuable contributions to this field.